Gold Panel Charlotte October 14, 2024 SPN
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[Applause]

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it took creation 15 years to figure out

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what the people really want this right

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finally they really they just don't they

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just don't trust me up here

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alone like he's going to need a chaperon

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yeah chaperon and I have a little buzzer

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in my pocket that gives him a shock if

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he starts to

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say somewhere Jerry just flinched too

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yeah it's got a long transmission it does it

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it's got a long transmission it does it
works really well how did it go you did

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this with Rob Benedict uh last week

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right recently yeah was it great it was

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okay was

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it I feel like it was probably great I

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feel like there was Pro because of his

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associ association with the boys Y and

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your Association got we got some nice

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boys questions oh you got a lot of

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questions about your bottom and you got

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questions about his wne that's right

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yeah that's the front and the back

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compartment well I did it with uh with

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with Jeff too uh Jeffrey Dean came up

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and and we got some good boys questions

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cuz uh obviously KY is uh just hiring

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people he knows yeah for us yeah

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seriously I do love that um he just

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keeps hiring Jim baver as Robert Singer

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I mean talk about a niche actor I can

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only play guys named Robert Singer but

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the great thing is that the real Bob

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singer had he known he never would have

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authorized no cuz he thought that he

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thought that you know Bobby was just

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going to come in for a few episodes and

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KY was like Hey you know you're you're

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kind of my mentor I'm going to name the

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you know the boys Mentor after and Bob

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was like all

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right he's like had he known he was

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going to be that big of a character and

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last that long he's like I would have

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never done that well the funny thing is

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if you're if you're an outsider stepping

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into the world which I you know I wasn't

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around when they wrote that character so

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I remember asking them like Hey what how

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did you end up name do that after myself

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God damn it I could name the

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charactery did it by the time I got

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asked him 500 people had asked him

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before me and he was real cranky about

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it and just so you know Bob Bob seer's

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uh Ground Zero is already pretty cranky

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so if you build on that he get real

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Sour I texted him the other day I was

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like hey uh I'm in La filming you're

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around let's go grab dinner or play

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around the golf do something days later

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he was like oh you're in La huh that was

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it he talks like a text I'll I'll I'll

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tack him down at some point and uh make

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him hang out with me well I I'm sure you

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guys will go play golf and go and and

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I've played golf with you guys and it's

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great I won't say it's relaxing cuz Bob

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takes his golf real seriously very

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serious so I might be the wrong third or

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fourth um but I'll join you for the

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dinner that part I did play golf with

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these guys one time in Vancouver and uh

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I've never been more nervous I love golf

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I play golf I I played golf poorly um

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and I own that I just warned him like

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Hey Man this ain't going to be great but

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it was good it was a smart psychology

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because I I beat myself down so much to

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them that when I didn't light the course

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on fire and overturn the car they're

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like not

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bad that was a good shot you still

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weren't pants on I wasn't

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pants on I wasn't
um all right well let's uh let's let's

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let's light up some questions oh let's

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do it let's do it right down here in the

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[Music]

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fronted to people

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before think it's working oh there you

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go good morning good morning uh my

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question is um do you have any like

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onset or actor pet peev like things that

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other people do that you just can't

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stand and yeah

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how much time do we

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have uh go ahead well you got some

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minded up I was going to say don't say

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anything that I do never when a guy does

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this with his elbows I'm just

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like um for me if you're doing a show or

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directing act they not knowing their

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lives big py kind of part of the gig you

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got to know the dialogue yeah you got to

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know your stuff uh um I would say and

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this is something I shared I may told

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you guys this before but uh I sat down

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with uh the new cast that I'm working

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with and we had we had a dinner just to

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kind of get to know each other before we

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started filming and our showrunner

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Derrick got up and kind of gave a little

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speech you know welcome the show and and

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a little um kind of pep talk and then he

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turned to me he like J you got anything

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to say and I was like

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well I'll tell you four things that that

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that helped me and work for me and and I

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would encourage you to do the same and

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that is uh one on time two know your

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stuff three um what's the third

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one take off your

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clothes oh sorry that's the voice

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uh um no three uh respect everyone from

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top to bottom right uh it that that goes

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so far I think in just uh an overall

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tone of the work environment is is when

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you respect everyone and you hold

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everybody uh with um with regard that they are all

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uh with um with regard that they are all
part of this process and you can't do it

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without without any one of them um and

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then the fourth one was have fun because

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we don't have to do this we get to do

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this and so I think people that don't do

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those things uh just becomes annoying

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and even toxic at certain times and

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those kind of fly to you know any any

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job really um and then there was and

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then I snuck a fifth one there and that

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was hang up your wardrobe at the end of

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the day right yeah but that's a pet

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peeve of mine too we talked about that

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because and and I don't necessarily

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blame actors especially actors who start

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when they're young because there's sort

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of that thing where you take off your

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wardrobe and the next day is

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miraculously cleaned and hung up and

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you're like oh this is what happens dude

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that happens in my

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house man I need to move into your house

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to be able to kill

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you she'll never find me your house

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uh but there I I would say um people

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that that you know it's it's just there

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there's an unprofessionalism with people

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and and they could be come out in a

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variety of ways um and the things that

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that really kind of pissed me off is

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when people don't respect

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those uh that they think are you know

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less than which is [\h__\h] um and and

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yeah but then there's you know I'm sure

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I can think of a lot of different quirks

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mean but I think some things sometimes

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the things that actors do to get

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themselves in whatever head space they

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need to be in aren't annoying per se

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they might be unique to the individual

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actor or performer or whatever but you

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know oh yeah there there are a lot of

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actors that have little little uh things

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that they do before each tape um some

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are great some are

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annoying uh I was said the best one I

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worked with a guy named Rex Lee uh Rex L

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sorry Rex Len fantastic actor amazing

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guy um I did Big Sky with him and before

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every take they would say all right lock

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it up roll sound and then they slate and

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be like all right you know 37 Baker tap

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two and Rex would go all right everybody

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have fun before every tap okay everybody have

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fun before every tap okay everybody have
fun and it could be like a death seat

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your couch your porch working up the

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tears all right CH let's h on here laugh

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your way everybody let's

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go uh but then there's

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also I'm I'm going to out tommo tommo

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does this thing uh where he before he's

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take he

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[Music]

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goes like are we in a drum circle

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now catch you off guard if you're not

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used to it I expect it now but U but

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there are just certain things that

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people do you know a lot of a real

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popular one is

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the and those are like acting exercises

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I never got trained in any of that stuff

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so I don't have any of those things than

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God um but uh yeah there's a lot of

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little quirks that that actors do we're

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a funny

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breed what you you don't do any of that

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stuff do you not really man I mean I

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kind of like if I'm going to like if I'm

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stiff and need to stretch whatever I do

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that pregame in the trailer before I

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ever take the stage so like by the time

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I'm on the Sound Stage I'm kind of ready

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for game time yeah do that make sense

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yeah it's like put me in let's go yeah I

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do a little so anything I do is that but

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that's the same thing for directing too

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I mean like you know you get yourself in

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the head space you're ready to go and

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then you go oh also

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uh this is one that I don't even have to

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be working with people just that I see

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on on screen that I'm hyper hyper aware

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of is actors who look at their marks oh

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it is I I'm so sensitive to it even when

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like so if I'm if this is my mark right

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you get a lot of this you'll see it like

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keep an eye out for it when you're

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watching TV or watching film you get

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this it's just that simple yeah it's

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just that simple and and so a lot of

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times if they're seeing the ground

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they'll do what they call dotting the

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marks which they'll they'll take cuz you

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usually have a t- mark right um and

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they'll just they'll pick up all the

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tape and Le just a little speck of tape

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which you can't see right so the the

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camera systs will come up and be like oh

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we're dotting marks so what I'll do is

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I'll go and I'll I'll look at the Mark

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and I'll be like okay this is I'm about

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you know 2T your relation to another so

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yeah that's kind of getting getting my

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my bearings and I usually will always

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nail it right you take away a mark for

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some actors and it's like they could end

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up over here they like how are you that

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off like you're not lit the camera

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operator going like I don't know

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what services guy the B I'm not of this

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so we uh is this the marks were gone I

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don't know yeah but yeah you'll notice it

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know yeah but yeah you'll notice it
don't you think that's more from

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inexperience than I mean probably it's

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again it's like the hanging it's like

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the hanging of the clothes thing once

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somebody tells you once then it's on you

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to do it right like they look you're

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looking at your mark once you get called

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out on it you're like oh shoot well I

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just I also think that just some people

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aren't spatially aware right they don't

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they don't they can't judge that

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relation to objects or or people in a

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scene and they just you know that just

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missed their marks I mean I've literally

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00:11:02,160 --> 00:11:04,879
in the middle of a scene just gone over

267
00:11:04,880 --> 00:11:10,069
to the actor or actress who just

268
00:11:10,079 --> 00:11:12,599
like okay we should go

269
00:11:12,600 --> 00:11:15,638
again and just so you understand that

270
00:11:15,639 --> 00:11:17,838
matters because maybe I'm now blocking

271
00:11:17,839 --> 00:11:20,039
him or maybe I'm not in the light or

272
00:11:20,040 --> 00:11:22,638
maybe I'm not they can't focus on me I'm

273
00:11:22,639 --> 00:11:23,879
too close to the camera or whatever

274
00:11:23,880 --> 00:11:25,879
there's it's not just arbitrary there

275
00:11:25,880 --> 00:11:27,518
are specific reasons why things are

276
00:11:27,519 --> 00:11:29,359
lined up the way they're lined up so if

277
00:11:29,360 --> 00:11:31,439
you're off by 4 in it could be a

278
00:11:31,440 --> 00:11:33,679
worthless shot that way yeah I had an

279
00:11:33,680 --> 00:11:35,398
actress one time literally stepping me

280
00:11:35,399 --> 00:11:37,919
like directly in front of the camera and

281
00:11:37,920 --> 00:11:39,919
I'm like how how are they going to see

282
00:11:39,920 --> 00:11:45,629
me if you're standing right she's like

283
00:11:45,639 --> 00:11:48,799
what yeah there's a lot of little things

284
00:11:48,800 --> 00:11:51,319
um you ever get a open the

285
00:11:51,320 --> 00:11:53,958
p and another thing

286
00:11:53,959 --> 00:11:56,719
um all right go ahead and fix the M all

287
00:11:56,720 --> 00:11:58,638
right all right uh you're right there on

288
00:11:58,639 --> 00:12:08,078
the on the island [Laughter] [Laughter]
oh my

289
00:12:08,079 --> 00:12:10,479
bad um I was just wondering like what

290
00:12:10,480 --> 00:12:12,999
are some ways that you guys tell people

291
00:12:13,000 --> 00:12:14,479
that you love them without actually

292
00:12:14,480 --> 00:12:16,559
saying I love you like things that you

293
00:12:16,560 --> 00:12:18,359
do that's kind of we we talked about

294
00:12:18,360 --> 00:12:19,999
that a little bit last night that's

295
00:12:20,000 --> 00:12:23,359
funny you I'm psychic was that I said

296
00:12:23,360 --> 00:12:24,719
I'm psychic well I know there's sort of

297
00:12:24,720 --> 00:12:26,599
like a you know people there's a book

298
00:12:26,600 --> 00:12:28,198
that talks about love language and you

299
00:12:28,199 --> 00:12:29,958
know are you are you somebody to give

300
00:12:29,959 --> 00:12:31,958
gifts are you an active service guy in

301
00:12:31,959 --> 00:12:33,518
the grand world of that stuff I'm an

302
00:12:33,519 --> 00:12:36,799
active service guy in terms of how I

303
00:12:36,800 --> 00:12:40,078
parent how I husband how I am a part of

304
00:12:40,079 --> 00:12:44,039
my own nucle nuclear family it's it's

305
00:12:44,040 --> 00:12:48,078
getting things done is how I am I think

306
00:12:48,079 --> 00:12:50,198
the best version of myself to my kids

307
00:12:50,199 --> 00:12:53,278
and wife and so that's you know I'm I'm

308
00:12:53,279 --> 00:12:55,398
definitely an active service

309
00:12:57,000 --> 00:12:59,759
guy um that's funny I I

310
00:12:59,760 --> 00:13:02,879
um that's funny I I
I'm uh what's the other I should know

311
00:13:02,880 --> 00:13:07,879
this the other ones Val words valid

312
00:13:07,880 --> 00:13:10,679
validation validation um gift giving is

313
00:13:10,680 --> 00:13:13,039
one of them oh yeah touch touch yeah we

314
00:13:13,040 --> 00:13:16,838
ain't touch we figured that out last

315
00:13:16,839 --> 00:13:20,319
night that we're not in I was talking to

316
00:13:20,320 --> 00:13:21,919
Jason man about it there's C certain

317
00:13:21,920 --> 00:13:24,398
dudes who like hug and like I love you

318
00:13:24,399 --> 00:13:26,319
man I love you and other guys where if

319
00:13:26,320 --> 00:13:27,919
the back of your hand brushes her elbow

320
00:13:27,920 --> 00:13:33,350
you're like sorry

321
00:13:33,360 --> 00:13:37,278
and and thus describes him me and

322
00:13:37,279 --> 00:13:40,398
mans uh yeah I I would say that when uh

323
00:13:40,399 --> 00:13:42,198
at least for me and certainly for for

324
00:13:42,199 --> 00:13:44,799
denil she is uh like you said Ser active

325
00:13:44,800 --> 00:13:48,319
service so it's um uh if I see something

326
00:13:48,320 --> 00:13:49,919
where I'm like oh that that didn't get

327
00:13:49,920 --> 00:13:52,439
put away or the trash is sitting there

328
00:13:52,440 --> 00:13:55,159
or dishes are clean but not but whatever

329
00:13:55,160 --> 00:13:58,239
it is that's not something I want to do

330
00:13:58,240 --> 00:13:59,719
but it's something that I will do

331
00:13:59,720 --> 00:14:02,119
because I know it means something to to

332
00:14:02,120 --> 00:14:05,838
her and so uh yeah that's I I would say

333
00:14:05,839 --> 00:14:10,758
that's probably I'm in the same boote um

334
00:14:10,759 --> 00:14:19,629
yeah um all right uh yes sir

335
00:14:19,639 --> 00:14:22,758
sorry hey so I just had a quick question

336
00:14:22,759 --> 00:14:25,359
just for each one of y'all um as far as

337
00:14:25,360 --> 00:14:27,719
you Jensen I was wondering

338
00:14:27,720 --> 00:14:30,758
um what was like working on like a set

339
00:14:30,759 --> 00:14:34,398
of My Bloody Valentine 3D and as far as

340
00:14:34,399 --> 00:14:37,879
you um Richard I was wondering are you a

341
00:14:37,880 --> 00:14:41,999
fan of Like My Bloody Valentine 3D

342
00:14:42,000 --> 00:14:45,958
or yeah yeah W quite a reminds this just

343
00:14:48,199 --> 00:14:50,838
got awkward I'm I'm I'm more of a fan of my

344
00:14:50,839 --> 00:14:54,239
awkward I'm I'm I'm more of a fan of my
buddy Valentine 1 D we got into the

345
00:14:54,240 --> 00:14:57,039
second D yeah that's too many D's and

346
00:14:57,040 --> 00:14:58,758
then you can't watch 3D if you haven't

347
00:14:58,759 --> 00:15:01,159
seen 2 cuz the plot falls

348
00:15:01,160 --> 00:15:03,679
apart I only have one of the days I will

349
00:15:03,680 --> 00:15:06,599
say uh I'm I'm I'm glad you actually uh

350
00:15:06,600 --> 00:15:08,679
bring up the fact that it was 3D because

351
00:15:08,680 --> 00:15:11,359
the experience on set was very much

352
00:15:11,360 --> 00:15:13,439
unique because of the way that it was

353
00:15:13,440 --> 00:15:15,479
filmed um have you ever shot anything in

354
00:15:15,480 --> 00:15:17,919
3D I have not so I I think there's a

355
00:15:17,920 --> 00:15:19,159
different method now I think the

356
00:15:19,160 --> 00:15:21,398
technology is Advanced since we we made

357
00:15:21,399 --> 00:15:24,479
that movie um but it was pretty new when

358
00:15:24,480 --> 00:15:26,599
we did it and so what they do is they

359
00:15:26,600 --> 00:15:29,638
have they have they have one camera that

360
00:15:29,639 --> 00:15:33,039
points at you and then they have like a

361
00:15:33,040 --> 00:15:35,239
like a mirror like a reflector in front

362
00:15:35,240 --> 00:15:37,278
of that camera with another camera

363
00:15:37,279 --> 00:15:40,559
pointing down so you have two cameras

364
00:15:40,560 --> 00:15:43,479
like this but this one is just slightly

365
00:15:43,480 --> 00:15:46,838
off which creates the you know that that

366
00:15:46,839 --> 00:15:51,278
3D uh image um so the just the whole

367
00:15:51,279 --> 00:15:53,879
apparatus was really unique and

368
00:15:53,880 --> 00:15:55,278
different not something that I was used

369
00:15:55,279 --> 00:15:57,919
to you know one camera hanging another

370
00:15:57,920 --> 00:16:00,239
one and there were bigger C like now

371
00:16:00,240 --> 00:16:02,919
we're using this new Sony camera right I

372
00:16:02,920 --> 00:16:04,559
mean it's it's like this big were you

373
00:16:04,560 --> 00:16:06,439
shooting my bu Valentin on film or

374
00:16:06,440 --> 00:16:08,559
digital we're doing RED cameras okay so

375
00:16:08,560 --> 00:16:12,518
new digital new digital uh and and again

376
00:16:12,519 --> 00:16:14,278
with that there was something to do with

377
00:16:14,279 --> 00:16:16,518
the aperture and and the the the

378
00:16:16,519 --> 00:16:19,719
photography aspect of it that required

379
00:16:19,720 --> 00:16:23,239
like three times the amount of light so

380
00:16:23,240 --> 00:16:25,559
it was really really hot on set cuz

381
00:16:25,560 --> 00:16:28,439
those lights put out so much heat uh

382
00:16:28,440 --> 00:16:29,919
although now now even the lighting is

383
00:16:29,920 --> 00:16:32,078
different like now there's it's it's all

384
00:16:32,079 --> 00:16:34,638
LED but it used to be the you know the

385
00:16:34,639 --> 00:16:37,758
really hot burning what tungen or or

386
00:16:37,759 --> 00:16:42,119
incandescent um and so for that excuse

387
00:16:42,120 --> 00:16:45,039
me for that it was uh the camera was

388
00:16:45,040 --> 00:16:47,239
just really weird setups were longer

389
00:16:47,240 --> 00:16:48,758
because they had to add more and more

390
00:16:48,759 --> 00:16:51,359
light um but other than other than that

391
00:16:51,360 --> 00:16:54,119
aspect it was all pretty much similar to

392
00:16:54,120 --> 00:16:56,318
you know have you seen what how they do

393
00:16:56,319 --> 00:16:58,359
that day for night now which they did in

394
00:16:58,360 --> 00:17:00,999
no and then House of dragon which is

395
00:17:01,000 --> 00:17:02,999
similar idea of the two cameras but one

396
00:17:03,000 --> 00:17:04,519
is shooting

397
00:17:04,520 --> 00:17:06,759
infrared and yeah and then one is

398
00:17:06,760 --> 00:17:09,359
shooting normal so they shoot during the

399
00:17:09,360 --> 00:17:12,999
day and then utilize the infrared color

400
00:17:13,000 --> 00:17:16,639
palette or to make it dark to make

401
00:17:16,640 --> 00:17:19,639
it yeah so they they it still looks kind

402
00:17:19,640 --> 00:17:21,438
of crappy honestly I think like the

403
00:17:21,439 --> 00:17:23,479
technology ain't there like you watch

404
00:17:23,480 --> 00:17:24,639
it's getting there it's getting there

405
00:17:24,640 --> 00:17:26,198
and it's going to be you know it's like

406
00:17:26,199 --> 00:17:28,719
the nent days of of what this is going

407
00:17:28,720 --> 00:17:30,199
to be where we're no longer shooting at

408
00:17:30,200 --> 00:17:32,839
night but like the or not always but

409
00:17:32,840 --> 00:17:34,399
like the there was there were scenes in

410
00:17:34,400 --> 00:17:36,119
House of dragon where they would did day

411
00:17:36,120 --> 00:17:38,279
for night I'm like that's great it looks

412
00:17:38,280 --> 00:17:39,999
like a black screen like you can't see

413
00:17:40,000 --> 00:17:42,439
the people walking and talking like I

414
00:17:42,440 --> 00:17:44,199
they just they just oversaturate yeah it

415
00:17:44,200 --> 00:17:45,639
ain't there yet but it's it's kind of

416
00:17:45,640 --> 00:17:47,918
cool and interesting technology yeah the

417
00:17:47,919 --> 00:17:51,399
uh it's it's been interesting uh just as

418
00:17:51,400 --> 00:17:54,759
you know cuz for for many many many many

419
00:17:54,760 --> 00:17:57,639
many years the uh technology was the

420
00:17:57,640 --> 00:18:01,359
same it was filmed was 35mm film um when

421
00:18:01,360 --> 00:18:05,759
we started shooting Supernatural in 2005

422
00:18:05,760 --> 00:18:08,798
uh we were shooting on 35 movie and

423
00:18:08,799 --> 00:18:10,319
nobody has that experience anymore

424
00:18:10,320 --> 00:18:12,079
unless you're you know doing a Tarantino

425
00:18:12,080 --> 00:18:13,959
movie and he wants to shoot it on you

426
00:18:13,960 --> 00:18:16,038
know film but right they do it as a

427
00:18:16,039 --> 00:18:18,839
novelty AC it is no and all of the

428
00:18:18,840 --> 00:18:22,599
processing houses have closed up like

429
00:18:22,600 --> 00:18:25,439
well you know the term print that take

430
00:18:25,440 --> 00:18:27,239
because they would print the take now

431
00:18:27,240 --> 00:18:28,279
every take is printed because it's

432
00:18:28,280 --> 00:18:31,239
already and Zer but the idea so they'll

433
00:18:31,240 --> 00:18:32,918
say Circle the T now like I'll Circle

434
00:18:32,919 --> 00:18:34,798
that one in your list of Tes but the

435
00:18:34,799 --> 00:18:36,918
idea of printing the T they would not

436
00:18:36,919 --> 00:18:38,999
send the developer takes that they knew

437
00:18:39,000 --> 00:18:41,319
they were going to use cost Mone friend

438
00:18:41,320 --> 00:18:44,558
yeah um and and there was also check the

439
00:18:44,559 --> 00:18:47,479
gate yeah so people would go in with a

440
00:18:47,480 --> 00:18:49,279
flashlight and look the camera system

441
00:18:49,280 --> 00:18:51,839
would look into the lens and make sure

442
00:18:51,840 --> 00:18:54,359
that there wasn't a hair or a piece of

443
00:18:54,360 --> 00:18:56,959
dust or something that would have and

444
00:18:56,960 --> 00:18:59,879
every now and again uh there would be

445
00:18:59,880 --> 00:19:02,359
and you have to go again cuz it would it

446
00:19:02,360 --> 00:19:03,918
would put a stripe on the Emulsion it

447
00:19:03,919 --> 00:19:07,558
would like drag through right the so and

448
00:19:07,559 --> 00:19:09,999
you know and I you know young guys these

449
00:19:10,000 --> 00:19:11,679
days they're never going to hear

450
00:19:14,360 --> 00:19:17,158
[Music] this which is which is called a roll out

451
00:19:17,159 --> 00:19:20,239
this which is which is called a roll out
yeah uh it's also called uh the camera

452
00:19:20,240 --> 00:19:22,959
system getting fired yeah

453
00:19:22,960 --> 00:19:26,719
um so if you're doing a long long take

454
00:19:26,720 --> 00:19:28,199
and they they don't have enough film in

455
00:19:28,200 --> 00:19:30,239
it what happens happens is the film runs

456
00:19:30,240 --> 00:19:32,558
all the way through and then that last

457
00:19:32,559 --> 00:19:34,399
little strip just hits the thing so it's

458
00:19:35,280 --> 00:19:38,158
just like and that's called a roll out and uh

459
00:19:38,159 --> 00:19:40,439
like and that's called a roll out and uh
and that means well there's no more film

460
00:19:40,440 --> 00:19:43,199
so I guess we'll stop there and reload

461
00:19:43,200 --> 00:19:45,038
they also won't ever know

462
00:19:45,039 --> 00:19:48,678
the uh angst of having the giant camera

463
00:19:48,679 --> 00:19:50,719
with the film bag on their shoulder yeah

464
00:19:50,720 --> 00:19:51,639
because that was a whole different

465
00:19:51,640 --> 00:19:54,199
animal camera cameras are featherweight

466
00:19:54,200 --> 00:19:55,959
compared to what they used to be because

467
00:19:55,960 --> 00:19:58,959
the actual medium they're using to C the

468
00:19:58,960 --> 00:20:01,999
image is again ones and zeros not actual

469
00:20:02,000 --> 00:20:04,918
film on these giant M well there were

470
00:20:04,919 --> 00:20:07,599
Mass there was a whole industry of of of

471
00:20:07,600 --> 00:20:09,879
rigs that camera operators would use

472
00:20:09,880 --> 00:20:12,879
steady cam operator there would be uh

473
00:20:12,880 --> 00:20:15,239
would call the shower cam but it's a

474
00:20:15,240 --> 00:20:17,879
basically a a kind of a backpack type

475
00:20:17,880 --> 00:20:19,839
thing that has an arm comes up here that

476
00:20:19,840 --> 00:20:22,079
pulls down on a cord Clips onto the top

477
00:20:22,080 --> 00:20:23,599
of the camera and takes the weights of

478
00:20:23,600 --> 00:20:25,839
the camera Operator just hand hold it

479
00:20:25,840 --> 00:20:27,359
now people just they're just popping up

480
00:20:27,360 --> 00:20:29,199
their shoulder it's so B

481
00:20:29,200 --> 00:20:31,719
um so it's yeah the technology in film

482
00:20:31,720 --> 00:20:34,839
making has advanced tremendously since

483
00:20:34,840 --> 00:20:36,279
you know since we started work in this

484
00:20:36,280 --> 00:20:39,119
industry uh but even more so going back

485
00:20:39,120 --> 00:20:41,999
to play now time like I I I haven't done

486
00:20:42,000 --> 00:20:44,519
a 3D movie since but I I hear now that

487
00:20:44,520 --> 00:20:46,719
the technology is so much more advanced

488
00:20:46,720 --> 00:20:48,399
that it probably doesn't feel much

489
00:20:48,400 --> 00:20:50,399
different than just shooting regular you

490
00:20:50,400 --> 00:20:52,038
know what technology hasn't changed

491
00:20:52,039 --> 00:20:53,639
since we started and I find this

492
00:20:53,640 --> 00:20:54,839
interesting and people who don't know

493
00:20:54,840 --> 00:20:56,918
sets and go to sets or watch behind the

494
00:20:56,919 --> 00:20:58,959
scenes thing sometimes suris urised to

495
00:20:58,960 --> 00:21:01,839
see this but cameras still require a

496
00:21:01,840 --> 00:21:03,918
second person to focus them you know we

497
00:21:03,919 --> 00:21:05,199
live in a world that autofocus

498
00:21:05,200 --> 00:21:07,079
everything but the camera operators

499
00:21:07,080 --> 00:21:08,599
don't Focus the camera there's a

500
00:21:08,600 --> 00:21:10,599
separate person watching on a separate

501
00:21:10,600 --> 00:21:14,479
monitor with a separate system to which

502
00:21:14,480 --> 00:21:16,678
goes back to Jensen's comment about

503
00:21:16,679 --> 00:21:18,959
hitting your mark those marks are

504
00:21:18,960 --> 00:21:21,239
measured from a St from a standing point

505
00:21:21,240 --> 00:21:23,678
from a solid point the camera operator

506
00:21:23,679 --> 00:21:26,038
the focus CER has measured how many feet

507
00:21:26,039 --> 00:21:28,038
Jensen's going to walk forward and knows

508
00:21:28,039 --> 00:21:30,038
that when he hits that Mark he's at 7 ft

509
00:21:30,039 --> 00:21:32,439
from the cammera so if he overshoots

510
00:21:32,440 --> 00:21:34,199
this guy's now guessing yeah because

511
00:21:34,200 --> 00:21:36,079
he's like overshoot looking into a

512
00:21:36,080 --> 00:21:37,798
little modern going like I don't I think

513
00:21:37,799 --> 00:21:39,879
that's sharp he's office Mark I'm just

514
00:21:39,880 --> 00:21:42,239
guessing there was my favorite we had a

515
00:21:42,240 --> 00:21:44,359
a camera well this is just another

516
00:21:44,360 --> 00:21:46,119
advancement of technology is every those

517
00:21:46,120 --> 00:21:49,038
those FOC Focus pullers now

518
00:21:49,039 --> 00:21:52,199
they're operating remotely it used to be

519
00:21:52,200 --> 00:21:54,158
the focus BL would be right there on the

520
00:21:54,159 --> 00:21:56,479
camera looking at a little monitor next

521
00:21:56,480 --> 00:21:59,239
to the camera operator and pulling f you

522
00:21:59,240 --> 00:22:02,678
know like on the camera itself we had a

523
00:22:02,679 --> 00:22:05,399
a focus puller on Supernatural Dean

524
00:22:05,400 --> 00:22:07,639
Weber and uh which was great because

525
00:22:07,640 --> 00:22:09,399
every time they said Dean he and I both

526
00:22:09,400 --> 00:22:11,158
were like

527
00:22:11,159 --> 00:22:16,558
y but my favorite one is I walked up to

528
00:22:16,559 --> 00:22:21,839
uh a a mark and and and I hit my Mark I

529
00:22:21,840 --> 00:22:23,879
just want to point that out I hit

530
00:22:23,880 --> 00:22:27,319
my but I'm you know if Dean's right here

531
00:22:27,320 --> 00:22:29,199
the camera's right next to him and I'm

532
00:22:29,200 --> 00:22:31,599
looking this way talking to whoever I

533
00:22:31,600 --> 00:22:34,678
can just see out of my peripheral that

534
00:22:34,679 --> 00:22:38,239
the dean does this goes so if if you're

535
00:22:38,240 --> 00:22:45,590
me he's like

536
00:22:45,600 --> 00:22:49,950
this and then he does

537
00:22:49,960 --> 00:22:52,239
this and I just stopped talking I'm like

538
00:22:52,240 --> 00:22:54,359
am I not on my mark what yeah what what

539
00:22:54,360 --> 00:22:56,319
he's like oh you're

540
00:22:56,320 --> 00:23:00,119
fine I'm like what what's the theatri

541
00:23:00,120 --> 00:23:02,639
whole emotional Journey I'm watching it

542
00:23:03,600 --> 00:23:06,678
I'm like it's those Focus pullers that is a

543
00:23:06,679 --> 00:23:09,079
like it's those Focus pullers that is a
job I would never want the pressure is

544
00:23:09,080 --> 00:23:10,639
unbelievable a buddy of mine who's now a

545
00:23:10,640 --> 00:23:12,959
very successful DP talks about his early

546
00:23:12,960 --> 00:23:15,879
days of focus pooling and on film and

547
00:23:15,880 --> 00:23:18,119
then depending on the light as Jensen

548
00:23:18,120 --> 00:23:20,678
mentioned if you are shooting in low

549
00:23:20,679 --> 00:23:23,158
light or a slow speed man the focus will

550
00:23:23,159 --> 00:23:26,759
go out easily if you overshoot or unders

551
00:23:26,760 --> 00:23:28,199
shoot yeah the the what's it called the

552
00:23:28,200 --> 00:23:30,678
FOC plane or the uh uh it Narrows the

553
00:23:30,679 --> 00:23:33,839
vocal plane yeah so like if if if you

554
00:23:33,840 --> 00:23:35,639
this is the vocal plane and I'm just

555
00:23:35,640 --> 00:23:38,319
even so just a little bit further a

556
00:23:38,320 --> 00:23:41,359
little bit away then it goes soft is

557
00:23:41,360 --> 00:23:42,839
what they call it and he had the he did

558
00:23:42,840 --> 00:23:45,959
this music video where he had to do was

559
00:23:45,960 --> 00:23:47,719
a very famous person he had to do this

560
00:23:47,720 --> 00:23:49,759
one shot that he was Focus pulling on

561
00:23:49,760 --> 00:23:51,879
this very slow push in on the singer and

562
00:23:51,880 --> 00:23:53,558
you've seen the video because everybody

563
00:23:53,559 --> 00:23:55,359
in the planet has seen the video it's

564
00:23:55,360 --> 00:23:59,959
that shot of oh gosh what's the the

565
00:23:59,960 --> 00:24:04,439
the the big S the national an Anthem so

566
00:24:04,440 --> 00:24:07,599
beautifully um Whitney Houston it's a

567
00:24:07,600 --> 00:24:10,479
shot of Whitney Houston when she

568
00:24:10,480 --> 00:24:13,959
goes and

569
00:24:13,960 --> 00:24:16,599
like and do that slow push in he's got

570
00:24:16,600 --> 00:24:20,918
to just keep no edit it's just a long

571
00:24:20,919 --> 00:24:23,558
push in on her when she pops up and

572
00:24:23,559 --> 00:24:26,239
sings that that shot and he and to this

573
00:24:26,240 --> 00:24:27,759
day I'm like dude you've done a shot

574
00:24:27,760 --> 00:24:29,239
that everybody in the the scene that's

575
00:24:29,240 --> 00:24:31,759
cool he's like yeah and I lost my hair

576
00:24:31,760 --> 00:24:35,079
donut Whitney was going to give us

577
00:24:35,080 --> 00:24:39,239
one it a tough day yeah uh again goes

578
00:24:39,240 --> 00:24:41,199
back to uh respect everyone that you

579
00:24:41,200 --> 00:24:42,918
work with because everybody has a very

580
00:24:42,919 --> 00:24:46,999
crucial part of of making uh making film

581
00:24:47,000 --> 00:24:49,398
um it's not just the actor or the writer

582
00:24:49,399 --> 00:24:51,519
or the director it is all of these

583
00:24:51,520 --> 00:24:54,079
people that have to be incredibly

584
00:24:54,080 --> 00:24:55,999
talented and good at their job in order

585
00:24:56,000 --> 00:24:58,558
to make what we do right all right you

586
00:24:58,559 --> 00:25:00,678
know what way over there in that

587
00:25:00,679 --> 00:25:03,678
quadrant you young lady

588
00:25:03,679 --> 00:25:06,879
right good morning U as you continue

589
00:25:06,880 --> 00:25:09,519
Jensen as you continue to move forward

590
00:25:09,520 --> 00:25:12,199
with your craft is there a character or

591
00:25:12,200 --> 00:25:14,479
an opportunity that you haven't had a

592
00:25:14,480 --> 00:25:16,839
chance to participate in yet that you

593
00:25:16,840 --> 00:25:20,439
would really like to exercise or try a

594
00:25:20,440 --> 00:25:23,678
character you'd like to play yeah I mean

595
00:25:23,679 --> 00:25:26,839
yeah there's there's a lot of uh there's

596
00:25:26,840 --> 00:25:29,079
a lot of things I think

597
00:25:29,080 --> 00:25:32,599
love to to do um and things that I have

598
00:25:32,600 --> 00:25:37,719
no interest in in doing um you know I

599
00:25:37,720 --> 00:25:40,519
not to not to bring up a sore subject

600
00:25:40,520 --> 00:25:42,639
but um you know I've always wanted to do

601
00:25:42,640 --> 00:25:45,558
a western and I I had a had an

602
00:25:45,559 --> 00:25:47,479
opportunity that that unfortunately

603
00:25:47,480 --> 00:25:50,639
didn't work out um so I I would I think

604
00:25:50,640 --> 00:25:53,359
I would love to to have another crack gu

605
00:25:53,360 --> 00:25:56,239
um at some point um well I tried to get

606
00:25:56,240 --> 00:25:59,519
you in Western you said no is good I

607
00:25:59,520 --> 00:26:02,999
didn't say no to Old Henry I didn't say

608
00:26:03,000 --> 00:26:05,239
but no it was a scheduling thing cuz I

609
00:26:05,240 --> 00:26:06,678
was already doing I was already signed

610
00:26:06,679 --> 00:26:09,639
up for rust was that right yeah yeah um

611
00:26:09,640 --> 00:26:11,959
Still Still I and I agree it was a good

612
00:26:11,960 --> 00:26:14,079
movie um you guys never seen Old Henry

613
00:26:14,080 --> 00:26:16,839
yes he was going to be Steven dorf's

614
00:26:16,840 --> 00:26:21,678
role yeah but Mr P go sign on to another

615
00:26:21,679 --> 00:26:23,839
Western Well when Baldwin calls you and

616
00:26:23,840 --> 00:26:25,439
he's like hey I want you to hey I want

617
00:26:25,440 --> 00:26:28,319
you to be in my movie and you you know

618
00:26:28,320 --> 00:26:30,959
it was exciting and no offense to you

619
00:26:30,960 --> 00:26:33,879
the worst B I've ever heard I can work I

620
00:26:33,880 --> 00:26:36,519
I got a good B but it just takes me m um

621
00:26:36,520 --> 00:26:40,519
but uh uh no so I I I I would love to to

622
00:26:40,520 --> 00:26:43,038
to get on a horse and and and play a

623
00:26:43,039 --> 00:26:45,158
cowboy CU I since I was 6 years old i'

624
00:26:45,159 --> 00:26:48,519
I've always wanted to do that so that's

625
00:26:48,520 --> 00:26:52,710
one and maybe

626
00:26:52,720 --> 00:26:54,999
Batman uh all right right here in the

627
00:26:55,000 --> 00:27:03,149
front yeah we get your mic right there

628
00:27:03,159 --> 00:27:07,359
graer hi there you had several scenes

629
00:27:07,360 --> 00:27:11,439
where you were playing pool a lot and

630
00:27:11,440 --> 00:27:13,239
you were really good at it I just wanted

631
00:27:13,240 --> 00:27:15,079
to know if you were actually good at

632
00:27:15,080 --> 00:27:17,479
playing pool I play a lot of pool R of

633
00:27:17,480 --> 00:27:20,479
pool league so uh I was just curious I I

634
00:27:20,480 --> 00:27:24,839
I'm good enough to to to play um you

635
00:27:24,840 --> 00:27:28,239
know uh I'm I'm not not great the stuff

636
00:27:28,240 --> 00:27:31,359
you saw uh some of it was me but then

637
00:27:31,360 --> 00:27:33,558
they also had like a pro that was on

638
00:27:33,559 --> 00:27:36,038
hand to do like any massive trick shots

639
00:27:36,039 --> 00:27:37,719
but I think they had lined up a couple

640
00:27:37,720 --> 00:27:39,319
of trick shots that they wanted me to

641
00:27:39,320 --> 00:27:41,558
pull off and I did pull them off like on

642
00:27:41,559 --> 00:27:45,319
camera um so yeah I'm I'm I'm decent but

643
00:27:45,320 --> 00:27:47,439
I certainly wouldn't call myself really

644
00:27:47,440 --> 00:27:50,678
good but I'll play it for

645
00:27:50,679 --> 00:27:52,639
money all right I think we got time for

646
00:27:52,640 --> 00:27:56,479
one more one more you me uh all right

647
00:27:56,480 --> 00:27:58,678
let's go okay all right I see you guys

648
00:27:58,679 --> 00:28:03,110
waving yeah yeah

649
00:28:03,120 --> 00:28:07,079
yes hi hello hello um you had some

650
00:28:07,080 --> 00:28:10,398
wonderful guest stars I mean and a lot

651
00:28:10,399 --> 00:28:12,479
of others but I've been waiting mons to

652
00:28:12,480 --> 00:28:15,518
ask you this question what Scooby-Doo

653
00:28:15,519 --> 00:28:22,350
really like what

654
00:28:22,360 --> 00:28:25,798
Scooby-Doo you know it's a cartoon

655
00:28:25,799 --> 00:28:28,319
right you know we don't actually work

656
00:28:28,320 --> 00:28:32,439
with a come on cartoon

657
00:28:32,440 --> 00:28:37,239
dog uh no uh he's a real

658
00:28:37,240 --> 00:28:39,359
[\h__\h] yeah never comes out of his STP

659
00:28:39,360 --> 00:28:41,278
doesn't make his clo up tell you that

660
00:28:41,279 --> 00:28:44,079
much no no that color on the

661
00:28:44,080 --> 00:28:46,879
ground in the corner of his of his

662
00:28:46,880 --> 00:28:49,119
trailer penel somebody to come in and a

663
00:28:49,120 --> 00:28:51,719
RAC for him cuz

664
00:28:51,720 --> 00:28:56,158
he's and redraw it the next day uh

665
00:28:56,159 --> 00:28:57,518
anytime you're doing that kind of like

666
00:28:57,519 --> 00:29:00,439
animation stuff with real life it it is

667
00:29:00,440 --> 00:29:02,398
a little tricky cuz obviously you're

668
00:29:02,399 --> 00:29:04,158
playing to something that's not there

669
00:29:04,159 --> 00:29:05,678
that will be in there later but that's

670
00:29:05,679 --> 00:29:07,798
the same with acting with Jared that's

671
00:29:07,799 --> 00:29:10,599
true in fact preferably I would rather

672
00:29:10,600 --> 00:29:13,798
work with him not there um like today

673
00:29:15,440 --> 00:29:20,798
this is hey hi kid hi what is it it's uh it's

674
00:29:20,799 --> 00:29:23,759
is hey hi kid hi what is it it's uh it's
11:30 we're fine we can make jokes now

675
00:29:23,760 --> 00:29:26,999
um uh no it it it just going to go back

676
00:29:27,000 --> 00:29:31,119
it is uh it is a test of creativity uh

677
00:29:31,120 --> 00:29:33,079
for the actors where they have to you

678
00:29:33,080 --> 00:29:36,319
know effectively do things or pretend to

679
00:29:36,320 --> 00:29:39,879
do things when there's nothing to really

680
00:29:39,880 --> 00:29:41,798
you know when there's just a SE stand

681
00:29:41,799 --> 00:29:44,359
with a tennis ball on it and you have to

682
00:29:44,360 --> 00:29:45,759
act like that's something that's

683
00:29:45,760 --> 00:29:48,518
animated um but it you know it's all

684
00:29:48,519 --> 00:29:50,278
part of the it's all part of the craft

685
00:29:50,279 --> 00:29:53,199
and some people are good at it and some

686
00:29:53,200 --> 00:29:56,158
people are better at it I think I'm just

687
00:29:56,159 --> 00:29:58,639
good at it um you did a lot of that

688
00:29:58,640 --> 00:30:00,079
though with like I mean it's not

689
00:30:00,080 --> 00:30:02,079
animation but the show had so much

690
00:30:02,080 --> 00:30:04,398
visual effect to it that you would be

691
00:30:04,399 --> 00:30:05,759
you'd be fighting a monster that wasn't

692
00:30:05,760 --> 00:30:08,398
there a lot a lot or you know or a guy

693
00:30:08,399 --> 00:30:10,439
wearing a black suit but literally your

694
00:30:10,440 --> 00:30:11,759
the head is going to be 10t above him

695
00:30:11,760 --> 00:30:12,639
you know what I mean like you guys had

696
00:30:12,640 --> 00:30:14,319
to do that a lot well anytime I like

697
00:30:14,320 --> 00:30:18,038
swung a a fire poer at a ghost but that

698
00:30:18,039 --> 00:30:21,239
clearly wasn't there and so I'm just I'm

699
00:30:21,240 --> 00:30:24,599
just whiffing in the air and hoping that

700
00:30:24,600 --> 00:30:26,038
that they're going to make it look cool

701
00:30:26,039 --> 00:30:29,158
in post and they

702
00:30:29,159 --> 00:30:31,759
didn't um you know what I wish would

703
00:30:31,760 --> 00:30:34,359
have not uh wish would have just been

704
00:30:34,360 --> 00:30:37,918
visual effects is um uh my fight in the

705
00:30:37,919 --> 00:30:41,630
church where I just hung like a

706
00:30:41,640 --> 00:30:44,239
doll the worst experience on

707
00:30:44,240 --> 00:30:46,798
Supernatural the the marionette fight

708
00:30:46,799 --> 00:30:51,149
yes yes it was Team

709
00:30:51,159 --> 00:30:56,439
America oh God if I could turn that

710
00:30:56,440 --> 00:30:58,558
time all right guys thank you so much

711
00:30:58,559 --> 00:31:01,558
for being here thank for let me St and

712
00:31:01,559 --> 00:31:10,400
join the party [Music]