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Do I have somebody else coming

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up? Am I going to do this by myself? [Music] Myself situations.

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[Music]
How does Mark Chev do it?

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Next question. No. Next

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No. Next
question. Yes. Next

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question. Can I do

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that? No.

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Do I want to? Not really.

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I'll tell you what I know in a way that

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doesn't make sense.

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Uh, it's the art

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of saying everything without telling you

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anything.

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All right. Uh, you can you can do it.

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[Applause] Hi.

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Hi.
Hi. Uh, actually my question is about

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the subject that we're kind of talking

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about. Um

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uh I was asking if you watch the Academy

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Awards very often. I mean if you have

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like a ritual of always watching the

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movies or liking to see the ceremonies

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and if there is like uh a movie that you

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really liked that won or actor actresses

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or one that you really got disappointed

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that didn't win.

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Um, yeah, I yeah, I watch I watch some

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award shows. Uh, I don't I guess I don't

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put a lot of stock

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into awards. Uh, they're they're nice

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for those that win or get nominated. Uh,

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I think it's a nice feather in the cap.

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Um, and and I do feel like there are

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projects and there are performances that

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should be honored. Uh, and and I'm glad

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that we have awards that do that. Um,

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but I don't I guess I've gotten to a

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point where I it's not something that's

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a necessity for um being successful. Um and Um and
[Applause]

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uh because I think the success comes

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from from different aspects of life. Um

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this is success to me.

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[Applause] Um, I guarantee you there are people

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Um, I guarantee you there are people
with Oscars in their houses that can't

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get this many people to show up 15 years

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in a row.

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[Applause]

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And I'm not saying that that one is

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better than the other. I'm just saying

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there are different there are different

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things that I think you can

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uh you can hang success on. Uh would I

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like to have awards or would I like to

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be honored with an award? Of course.

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That feels good. Um are there movies

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that that or shows that get awarded

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awards that I'm like what? Yes. I think

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we can all agree on that. are there ones

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that don't get awards and you're like

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how? I think we can all agree on that.

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Um, you know, the awards system is is

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and I've, you know, I've never been

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in involved in like being nominated or

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being or

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campaigning for the upper tier awards.

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Uh, I've I've won a few a few awards

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which has been great. Um, and that's

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again something that is uh it's a really

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nice pat on the back. Um, but success to

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me is is is not doesn't hinge on on

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that. Um, you know, there it's it's an

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interesting industry when it comes to

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awards. Uh, and I'm not saying that that

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this movie wasn't deserve deserving of

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of the accolades that it got, but you

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know, you talk about um Anora and it won

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a slew of awards, but they spent, I

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think, double the amount of money on the

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on on the uh marketing for the movie and

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the the campaign that they did for the

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movie itself.

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Um, so I don't know what that says about

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our industry and maybe it's something

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that needs to be addressed, but it

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probably won't. Um, and again, I think,

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you know, I think that that Mikey and

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and that that whole movie certainly

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deserved accolades for what they had

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done. Uh but it is it is a it's an

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interesting industry when it comes to

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awards because you know they I guess the big

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because you know they I guess the big
question is are they bought?

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Um and you could make an argument for

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that. You could

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um so I don't put a lot of weight into

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what those awards say about projects or

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people. uh I put it

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into what those what those uh those

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projects for those actors what the

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reputation is or what it what it does

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for the art or what it does for the

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industry. Uh how how do they move the needle in

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Uh how how do they move the needle in
making

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um you know making this a a better

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industry to be a part of? Um, so I guess

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I don't know. Did that answer your

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question at all?

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No, not so [Applause]

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[Applause]
much. That's a hard one to answer.

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Sorry. Uh, hi. Hi. Uh, my question is

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not so serious. Uh, I was wondering

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since it was April Fool's few days ago,

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uh, if you was were a part of an April

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Fool jokes or someone did an April Fool

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jokes on you.

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Maybe not this year, but some that you

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remember. Um, like a good one there. So

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that day I remember

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specifically because it was uh a day

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where uh Jared and Misha and I were all

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uh Jared and Misha and I were all
staying at the same hotel in Toronto

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right now had a very early call. It was like

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now had a very early call. It was like
we were supposed to be downstairs in the

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car at uh 6:00

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a.m. and

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Misha and I was down there at 6. Misha

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was down there at like 6:03.

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And we were in the van. We were waiting

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for

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Jared. I know. Not shocking. shocking.
610 612

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615 620. I called them.

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and he didn't

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answer. I texted him. Didn't

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answer. Called him

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again. He didn't

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answer. Misha's like, "Should I go have

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the front desk call his room?" I'm like,

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"Probably." Misha gets out of the van,

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goes inside. I call him again. He

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answers. Yeah. Yeah. Yeah.

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Jared. Yeah, we've been in the car for almost a

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Yeah, we've been in the car for almost a
half an hour. Oh, yeah. Yeah. No, I'm

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downstairs. I'm coming

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downstairs. Okay. And I wanted to be like, "April

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Okay. And I wanted to be like, "April
fools, you've got another hour to

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sleep." And I had this whole thing like,

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"This is what I'm going to do this." But

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the desperation in his voice

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cuz it's the worst feeling being late

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for work like especially on a set when

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you have an entire like you know 100

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person crew waiting for you. You have

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cast, you have directors, everybody's

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waiting for you and you're the one

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person holding it up. It's the worst.

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And I've I've unfortunately had had that

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happen to me a couple of times in in my

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long career and it it just feels the

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worst. And I could hear that in his

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voice when he woke up. He was like, "My

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alarm didn't go

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off." And I just was like, I wanted this

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April Fool so

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bad. I was like, "April Fools, you can

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go back to sleep." And I would have

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happily waited another hour for

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him, but I couldn't do it. I couldn't do

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it. and and and he he was in such a way.

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Uh and I quickly called Misha. I was

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like, "Hey, don't call up. I just talked

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to him. He's on his way down." Uh so he

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came down

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and he's already sweating. He was

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already

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like, "My alarm didn't go off. Do you

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guys ever have that when you're just

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like okay, I can't mess with him today.

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today is off the table. It's April Fools

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and it's off the table. And and he was

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so like flustered and and felt so cuz I

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mean we've been working, you know,

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obviously supernatural side, we've been

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working on on the boys at that point for

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like 3 days, 3 or 4

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days and Jared is notoriously

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late. Notoriously late. like

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supernatural alone. I could list a

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million, you know, uh, examples.

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Um, he's gotten much better in his older

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age. And and for this, and he knew, and

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I knew this, I didn't even have to talk

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to him about it. I knew that he knew

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that he was a guest in somebody else's

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house, cuz I'm a guest in somebody

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else's house when I go to the boys.

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and you you

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are you try to be as as professional as

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you possibly can and one of those

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tenants of being professional is showing

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up on time and he missed his call. He

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missed his his uh alarm that morning and

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the rest of the day was shot as far as

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messing with him cuz I just I I was like

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I I can't I can't mess with the guy.

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He's already

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broken. So to answer your question, you

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know, April Fools came and went because

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Jared messed it up for all of us.

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So it was like April Fools on you. It

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was really April Fools on us. Yeah.

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Yeah. Yeah. It was a long long joke and

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he won.

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Yeah. So that was that's what happened.

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April 1st. Yeah. Thanks, [Applause]

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[Applause]
Hello. It's not going to be a deep dive.

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Something I wanted to ask about ad

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libs. Okay. Um I have thousands of questions

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Okay. Um I have thousands of questions
about them, but really I wanted to know

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three things. If when you're reading the

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script does something come into mind and

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you think maybe I could try that or not.

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If that happens, do you sometimes warn

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your screen partner? Because sometimes

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it looks like Jared knows that you're

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going to say something that's an adlib

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and he starts to grin, but not just on

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Supernatural and other um programs. And

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the other thing, the other question was,

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are there some directors that you just

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get the feeling that you can add live

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with them whereas others you probably

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shouldn't? Um, so to answer your first part of the

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Um, so to answer your first part of the
question, yes, when I read a script,

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I'll read lines and there's sometimes an

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idea will pop into my head and I'll

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write it out to the side of the script.

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I'll be like, "Oh, this might also be a

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good line or this might be a funny ad or

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this might be an emotional ad." Uh, so

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that that can happen when I read the

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script. Um, but more often than not, it

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happens when you're on set and you're

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doing the scene and something now all of

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a sudden you're hearing the words out

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loud with your scene partner and they're

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saying it a certain way. You're saying

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it a certain way and then you realize,

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man, this would be this would be an

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interesting line to say or a funny line

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to say or a more emotional line to say.

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Um, and so a lot of times it happens

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kind of in the moment.

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Um, there are times when I'll get the

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idea in the previous take and then they say

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in the previous take and then they say
cut and then I'll tell Jared and be

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like, "Hey, when I say I'm not going to

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say that line, I'm going to say this."

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And I be like, "Oh yeah, yeah, yeah,

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yeah." So he'll immediately adjust in

260
00:14:21,360 --> 00:14:23,278
his head like how he's going to react to

261
00:14:23,279 --> 00:14:25,638
that or whatever.

262
00:14:25,639 --> 00:14:30,319
Um, but a lot of times I won't tell him

263
00:14:30,320 --> 00:14:33,359
or a lot of times I didn't tell him and

264
00:14:33,360 --> 00:14:35,799
I'll just do it and see what he does.

265
00:14:35,800 --> 00:14:38,559
And he and I know each other so well and

266
00:14:38,560 --> 00:14:42,319
we worked together for so long that I

267
00:14:42,320 --> 00:14:45,198
know what he can I I know that he's

268
00:14:45,199 --> 00:14:50,078
capable of playing if I if I throw him a

269
00:14:50,079 --> 00:14:53,518
curve ball. And he is. And there's a lot

270
00:14:53,519 --> 00:14:56,879
of and Rob and and and Rich and you know

271
00:14:56,880 --> 00:14:59,518
Matt and Misha like all those guys like

272
00:14:59,519 --> 00:15:01,999
there are certain people that you you

273
00:15:02,000 --> 00:15:03,919
work with that you just know that they

274
00:15:03,920 --> 00:15:07,599
can handle going off script in a way

275
00:15:07,600 --> 00:15:10,159
that makes it

276
00:15:10,160 --> 00:15:12,999
uh a a viable

277
00:15:13,000 --> 00:15:16,879
option. And so I I always like to look

278
00:15:16,880 --> 00:15:18,039
for those

279
00:15:18,040 --> 00:15:20,999
options. Um always want to get it as

280
00:15:21,000 --> 00:15:23,039
scripted. I always want to give the

281
00:15:23,040 --> 00:15:26,398
writers what they spend time writing. I

282
00:15:26,399 --> 00:15:29,838
always want to deliver that. But then I

283
00:15:29,839 --> 00:15:32,799
might ask for like give me one more take

284
00:15:32,800 --> 00:15:34,638
and I'll do something different that

285
00:15:34,639 --> 00:15:36,638
just came to mind. And they might use

286
00:15:36,639 --> 00:15:38,479
it, they might not. But at least I got

287
00:15:38,480 --> 00:15:40,719
that out cuz sometimes I'm like if I

288
00:15:40,720 --> 00:15:42,159
don't say it, it's going to it's going

289
00:15:42,160 --> 00:15:45,679
to burn a hole in my head. Uh, and so I

290
00:15:45,680 --> 00:15:48,879
will I will either do it in the moment

291
00:15:48,880 --> 00:15:51,838
or I will I will plan it and tell people

292
00:15:51,839 --> 00:15:55,599
this is what I'm going to do. Um, and

293
00:15:55,600 --> 00:15:58,638
and if you if you get the trust of a

294
00:15:58,639 --> 00:16:00,599
director and you get the trust of other

295
00:16:00,600 --> 00:16:04,559
castmates to to let you do this,

296
00:16:04,560 --> 00:16:06,559
uh, it's a it's a really beautiful place

297
00:16:06,560 --> 00:16:09,159
to be in. Um, I was given that on

298
00:16:10,759 --> 00:16:12,439
Countdown. Um,

299
00:16:12,440 --> 00:16:15,439
Um,
and I was able to really play and and

300
00:16:15,440 --> 00:16:20,479
and I was encouraged to play. And so,

301
00:16:20,480 --> 00:16:23,838
uh, the the the other actors that I that

302
00:16:23,839 --> 00:16:26,319
I work with, um, they were kind of

303
00:16:26,320 --> 00:16:28,638
always ready. They were like, "What are

304
00:16:28,639 --> 00:16:29,638
you going to say

305
00:16:29,639 --> 00:16:31,758
next?" And there were some scenes where

306
00:16:31,759 --> 00:16:33,599
I would just I would do it off camera. I

307
00:16:33,600 --> 00:16:34,958
would just change it up to just mess

308
00:16:34,959 --> 00:16:37,599
with them and see what, you know, see if

309
00:16:37,600 --> 00:16:41,559
it it whatever they got. Yeah. Um,

310
00:16:41,560 --> 00:16:44,239
and I will say though, one of the great

311
00:16:44,240 --> 00:16:46,638
gratifications I get, going back to the

312
00:16:48,160 --> 00:16:50,398
award uh, conversation, one of the greatest

313
00:16:50,399 --> 00:16:53,999
uh, conversation, one of the greatest
awards I ever get is making the crew

314
00:16:56,240 --> 00:16:58,479
laugh. If I hear audible laughter from the crew

315
00:16:58,480 --> 00:17:00,479
If I hear audible laughter from the crew
from something that I just said in the

316
00:17:00,480 --> 00:17:03,999
moment or an adid or, you know, some

317
00:17:04,000 --> 00:17:06,879
something that I've done, um, that is

318
00:17:06,880 --> 00:17:10,318
such a reward for me. that is I get so

319
00:17:10,319 --> 00:17:13,038
much joy in that. Uh I think it's also

320
00:17:13,039 --> 00:17:16,239
part of just loving what I do and being

321
00:17:16,240 --> 00:17:20,639
being uh present with with characters

322
00:17:20,640 --> 00:17:22,639
and the and the actors and the crew and

323
00:17:22,640 --> 00:17:26,239
the story and the and the action and and

324
00:17:26,240 --> 00:17:28,798
being able to be comfortable enough in

325
00:17:28,799 --> 00:17:32,319
that to play feel the connection. Yeah.

326
00:17:32,320 --> 00:17:36,839
And that's that's a really um that's a

327
00:17:36,840 --> 00:17:40,079
really beautiful place to be in in your

328
00:17:40,080 --> 00:17:43,279
work environment. And you know, you

329
00:17:43,280 --> 00:17:44,719
don't just have to be on camera to do

330
00:17:44,720 --> 00:17:47,359
that. Like any industry, like if you're

331
00:17:47,360 --> 00:17:49,279
that comfortable with your co-workers to

332
00:17:49,280 --> 00:17:51,319
be able to

333
00:17:51,320 --> 00:17:55,918
uh to to go off script

334
00:17:55,919 --> 00:17:58,798
in a way that that might make it better.

335
00:17:58,799 --> 00:18:00,479
Yeah. and that they have the confidence

336
00:18:00,480 --> 00:18:03,279
in you to do that. That's that's a

337
00:18:03,280 --> 00:18:06,319
really really great place to be. And um

338
00:18:06,320 --> 00:18:09,999
I'm thankful now that I'm in my where

339
00:18:10,000 --> 00:18:11,599
I'm at in my career to where I'm able to

340
00:18:11,600 --> 00:18:14,079
do that a lot and it's it's a lot of

341
00:18:14,080 --> 00:18:16,319
fun. when you were filming track room

342
00:18:16,320 --> 00:18:18,319
with Russell and you were talking to the

343
00:18:18,320 --> 00:18:21,439
morttery lady and you were asking her

344
00:18:21,440 --> 00:18:26,399
out and you said so close and Justin's

345
00:18:26,400 --> 00:18:28,639
just laugh was as if he didn't expect

346
00:18:28,640 --> 00:18:31,119
you to say that at all. That wasn't that

347
00:18:31,120 --> 00:18:34,549
bad.

348
00:18:34,559 --> 00:18:36,399
But again, that goes with I've known

349
00:18:36,400 --> 00:18:39,359
Justin for 20 years and he and I are

350
00:18:39,360 --> 00:18:41,239
dear friends.

351
00:18:41,240 --> 00:18:44,798
And also the the the the head writer of

352
00:18:44,799 --> 00:18:47,119
that show is somebody I worked with

353
00:18:47,120 --> 00:18:50,239
before as well on Big Sky. On Big Sky.

354
00:18:50,240 --> 00:18:53,519
Yeah. Elwood. And he's like, "Play play,

355
00:18:53,520 --> 00:18:55,359
man. I'm just going to get you two on

356
00:18:55,360 --> 00:18:57,999
camera. You guys just play." And he's

357
00:18:58,000 --> 00:18:59,439
like, "You know what I wrote? That's

358
00:18:59,440 --> 00:19:01,359
just a suggestion. Do whatever you do

359
00:19:01,360 --> 00:19:03,439
what you can.

360
00:19:03,440 --> 00:19:05,439
And uh and so Justin and I were able to

361
00:19:05,440 --> 00:19:07,038
play. And just this is something a lot

362
00:19:07,039 --> 00:19:08,639
of people don't know. Justin's one of

363
00:19:08,640 --> 00:19:11,639
the funniest people I know. He is

364
00:19:11,640 --> 00:19:14,639
outrageously smart and witty and and

365
00:19:14,640 --> 00:19:16,839
funny. His humor

366
00:19:16,840 --> 00:19:20,879
is like sharp. And one of the reasons

367
00:19:20,880 --> 00:19:23,038
why I I consider him a dear friend cuz I

368
00:19:23,039 --> 00:19:27,038
I he makes me laugh a lot. Um he doesn't

369
00:19:27,039 --> 00:19:29,199
play that on camera and it I'm like,

370
00:19:29,200 --> 00:19:30,719
"Dude, you're so funny." And he's like,

371
00:19:30,720 --> 00:19:34,079
"That's not the role." Like, "You got

372
00:19:34,080 --> 00:19:36,558
it. All right. Well, I'm going to." And

373
00:19:36,559 --> 00:19:39,678
he's like, "Okay, you do it." He's like,

374
00:19:39,679 --> 00:19:41,279
"Straight man, funny man." Yeah.

375
00:19:41,280 --> 00:19:42,639
Straight man, funny man. And I was like,

376
00:19:42,640 --> 00:19:44,079
"I can play that role." And he's like,

377
00:19:44,080 --> 00:19:46,079
"Well, I can play the straight man." But

378
00:19:46,080 --> 00:19:47,839
it also takes somebody who understands

379
00:19:47,840 --> 00:19:51,038
comedy to play a straight role. Some of

380
00:19:51,039 --> 00:19:53,839
the best comedic geniuses in our in in

381
00:19:53,840 --> 00:19:55,678
entertainment have been the straight

382
00:19:55,679 --> 00:19:59,839
man. Yeah, I mean uh um Jason Baitman is

383
00:19:59,840 --> 00:20:02,479
probably one of the best in the business

384
00:20:02,480 --> 00:20:04,999
and he is

385
00:20:05,000 --> 00:20:08,279
hilarious, but he plays opposite funny

386
00:20:08,280 --> 00:20:13,199
guys so well and and uh and so I think

387
00:20:13,200 --> 00:20:15,279
in order to play that role and do it

388
00:20:15,280 --> 00:20:17,519
with success, you have to understand

389
00:20:17,520 --> 00:20:19,999
comedy and Justin understands comedy

390
00:20:20,000 --> 00:20:22,319
more than people think. Yeah. Hopefully

391
00:20:22,320 --> 00:20:23,999
we'll see him in a comedic role. I hope

392
00:20:24,000 --> 00:20:27,279
so, too. Yeah, he's very funny. Thank

393
00:20:27,280 --> 00:20:32,630
you.

394
00:20:32,640 --> 00:20:35,918
Um, my question is about Soulja Boy. So,

395
00:20:35,919 --> 00:20:38,558
is there any line or a quote from Soulja

396
00:20:38,559 --> 00:20:40,959
Boy that you have unintentionally let

397
00:20:40,960 --> 00:20:44,959
sleep in public? Okay, say it again. Uh,

398
00:20:44,960 --> 00:20:47,999
is there any line or a quote from Soulja

399
00:20:48,000 --> 00:20:50,719
Boy that you have unintentionally let

400
00:20:50,720 --> 00:20:53,279
slip in public

401
00:20:53,280 --> 00:20:55,519
and I can't say in public?

402
00:20:57,600 --> 00:21:18,558
[Applause] Let's slip. Oh, that slip. No. No,

403
00:21:18,559 --> 00:21:19,999
No,
but there is a lot of things that

404
00:21:20,000 --> 00:21:21,678
Soldier Boy has said that weren't

405
00:21:21,679 --> 00:21:31,439
scripted. [Applause]

406
00:21:31,440 --> 00:21:32,839
[Applause]
I can't tell

407
00:21:32,840 --> 00:21:35,439
you cuz that'll tell you something about

408
00:21:37,679 --> 00:21:39,678
me. Let's just say that when I get into when

409
00:21:39,679 --> 00:21:42,079
Let's just say that when I get into when
I put that that suit on, which by the

410
00:21:42,080 --> 00:21:46,149
way,

411
00:21:46,159 --> 00:21:48,879
you know that like the the cast chairs

412
00:21:48,880 --> 00:21:52,158
on on the boys, they're you know most,

413
00:21:52,159 --> 00:21:54,558
you know, like director's chairs.

414
00:21:54,559 --> 00:21:56,158
Everybody's seen those, right? They're

415
00:21:56,159 --> 00:21:58,558
high chairs like this, right? They've

416
00:21:58,559 --> 00:22:00,319
got the back with the name on it and the

417
00:22:00,320 --> 00:22:03,759
the project on the back. So on the boys,

418
00:22:03,760 --> 00:22:07,439
we have the low chairs. which are, you

419
00:22:08,679 --> 00:22:11,999
know, regular regular chairs with the names on

420
00:22:12,000 --> 00:22:13,399
regular regular chairs with the names on
the back and

421
00:22:13,400 --> 00:22:16,439
stuff. I can't sit

422
00:22:16,440 --> 00:22:21,038
down when I'm because of of the chest

423
00:22:21,039 --> 00:22:23,839
thing and the and the this doesn't this

424
00:22:24,760 --> 00:22:41,909
doesn't bend. And so I have to do this [Music] [Music]
very sexy.

425
00:22:41,919 --> 00:22:44,719
And it is and and I'm also wearing an

426
00:22:44,720 --> 00:22:48,158
entire under layer under that so that it

427
00:22:48,159 --> 00:22:51,999
goes on cuz it's it's so it's like tacky

428
00:22:52,000 --> 00:22:55,519
the the fabric. So, I have to wear like

429
00:22:55,520 --> 00:22:58,918
compression pants, compression

430
00:22:58,919 --> 00:23:01,918
shirts, full length sleeves, full length

431
00:23:01,919 --> 00:23:05,359
legs, and then I slide these things on.

432
00:23:05,360 --> 00:23:09,199
It takes me plus two costume people to

433
00:23:09,200 --> 00:23:10,359
put me

434
00:23:10,360 --> 00:23:15,789
together. And then I'm just in this

435
00:23:15,799 --> 00:23:19,119
thing walking around all day. And like I

436
00:23:19,120 --> 00:23:30,549
sit down, I'm just like

437
00:23:30,559 --> 00:23:33,279
It's not comfortable.

438
00:23:33,280 --> 00:23:34,999
And I and you

439
00:23:35,000 --> 00:23:37,599
know, you do scenes and you're trying to

440
00:23:37,600 --> 00:23:39,038
move normal and you're trying to do

441
00:23:39,039 --> 00:23:42,399
these things and you're and it's you're

442
00:23:42,400 --> 00:23:44,879
you get hot and it's cold of a drunk.

443
00:23:44,880 --> 00:23:46,439
I'm sweating in that

444
00:23:46,440 --> 00:23:48,479
thing. So, at the end of the day, I'm

445
00:23:48,480 --> 00:23:52,759
just peeling everything off just like

446
00:23:52,760 --> 00:23:55,798
Um, this is not answer your question at

447
00:23:55,799 --> 00:23:57,918
all. I just thought I'd take a moment

448
00:23:57,919 --> 00:24:01,558
and tell you the misery that

449
00:24:01,559 --> 00:24:04,959
I have to go through to play this role.

450
00:24:06,440 --> 00:24:10,479
Uh, but there I will say that the writers

451
00:24:10,480 --> 00:24:13,038
but there I will say that the writers
have come up with things that I wouldn't

452
00:24:13,039 --> 00:24:15,359
come have come up with.

453
00:24:15,360 --> 00:24:17,759
But the problem is is when they go

454
00:24:19,440 --> 00:24:21,839
there, then my brain goes there because that's

455
00:24:21,840 --> 00:24:23,239
then my brain goes there because that's
what I have to

456
00:24:23,240 --> 00:24:25,999
say. And then all of a sudden I'm in

457
00:24:26,000 --> 00:24:28,399
that frame of thought and I start coming

458
00:24:28,400 --> 00:24:35,158
up with even worse things to say.

459
00:24:35,159 --> 00:24:40,239
say.
Um, and I'm not proud of it.

460
00:24:40,240 --> 00:24:44,470
You should be.

461
00:24:44,480 --> 00:24:48,239
My mother's not tell you that much. But

462
00:24:48,240 --> 00:24:51,439
we appreciate it. But yes, there there

463
00:24:51,440 --> 00:24:53,439
are certain I I guess when I get into

464
00:24:53,440 --> 00:24:56,319
Soldier Boy's like frame of mind and I

465
00:24:56,320 --> 00:24:58,719
start talking like him and I start

466
00:24:58,720 --> 00:25:01,839
saying the things that he says, it lends

467
00:25:01,840 --> 00:25:05,599
itself to adding things that maybe

468
00:25:05,600 --> 00:25:08,199
aren't scripted that my mind comes up

469
00:25:09,720 --> 00:25:12,719
with. And then I'm like, I need to take a

470
00:25:12,720 --> 00:25:15,399
And then I'm like, I need to take a
shower for more reasons than

471
00:25:15,400 --> 00:25:19,759
swim. And uh yeah, Kri's been on set

472
00:25:19,760 --> 00:25:22,798
this past week. And he wasn't he wasn't

473
00:25:22,799 --> 00:25:24,558
necessarily focused on what I was doing

474
00:25:24,559 --> 00:25:26,399
cuz I had a I I didn't have much

475
00:25:26,400 --> 00:25:28,719
dialogue. There was other actors and

476
00:25:28,720 --> 00:25:30,399
cameos and stuff that were happening.

477
00:25:30,400 --> 00:25:32,719
So, he was he was dealing with that. But

478
00:25:32,720 --> 00:25:35,038
I do remember when I was when I came, I

479
00:25:35,039 --> 00:25:38,509
did a little cameo on Jen P.

480
00:25:41,440 --> 00:25:43,678
[Applause] And Krypy happened to be on set that day

481
00:25:43,679 --> 00:25:45,639
And Krypy happened to be on set that day
and I had all the all the

482
00:25:45,640 --> 00:25:49,599
words and he was throwing out lines to

483
00:25:49,600 --> 00:25:51,839
me and then I was coming up with lines

484
00:25:51,840 --> 00:25:53,918
that would top his lines and he would

485
00:25:53,919 --> 00:25:56,158
try to top my lines and so it was just

486
00:25:56,159 --> 00:25:58,719
this back and forth of like who could

487
00:25:58,720 --> 00:26:01,319
come up with the most disgusting

488
00:26:01,320 --> 00:26:05,519
words possible. And uh and that's that's

489
00:26:05,520 --> 00:26:08,639
the beauty of art.

490
00:26:08,640 --> 00:26:13,359
Who won? Who won? Yeah. So, is it your

491
00:26:13,360 --> 00:26:18,079
line or was that was it your line or uh

492
00:26:20,240 --> 00:26:22,959
So, we both won because they ended up using

493
00:26:22,960 --> 00:26:26,190
we both won because they ended up using
a cut of all

494
00:26:26,200 --> 00:26:29,038
the they they couldn't pick one, so they

495
00:26:29,039 --> 00:26:30,479
ended up using like three or four of

496
00:26:30,480 --> 00:26:32,319
them. And I forget who came up with

497
00:26:32,320 --> 00:26:34,879
what. Uh but I I know I came up with at

498
00:26:34,880 --> 00:26:37,918
least one or two of them. Um, tell us. I

499
00:26:37,919 --> 00:26:39,599
don't I know. Yeah, I can't remember

500
00:26:39,600 --> 00:26:42,319
exactly what it was, but you know when

501
00:26:42,320 --> 00:26:45,479
I'm talking to the kids and I'm I'm

502
00:26:45,480 --> 00:26:48,439
saying stuff and it's

503
00:26:48,440 --> 00:26:51,759
not nice.

504
00:26:51,760 --> 00:26:54,399
There there was one point in which I

505
00:26:54,400 --> 00:26:56,719
said the same thing but in like three or

506
00:26:56,720 --> 00:26:59,359
four different ways. that was only

507
00:26:59,360 --> 00:27:02,319
supposed to be said in one way and

508
00:27:02,320 --> 00:27:03,759
Krypky and I kept coming up with

509
00:27:03,760 --> 00:27:05,119
different ways to say it and they were

510
00:27:05,120 --> 00:27:07,119
he was like, "Yeah, yeah, yeah." And

511
00:27:07,120 --> 00:27:09,519
then they just cut all of those together

512
00:27:09,520 --> 00:27:17,549
and that was the final product. So,

513
00:27:17,559 --> 00:27:20,479
um I've got some scenes coming up and I

514
00:27:20,480 --> 00:27:25,439
just had some scenes uh and with uh a

515
00:27:25,440 --> 00:27:32,710
young lady on on the show

516
00:27:32,720 --> 00:27:37,999
And I I said some things

517
00:27:38,000 --> 00:27:41,599
and I'm going to say some things

518
00:27:41,600 --> 00:27:43,959
and I can only say

519
00:27:43,960 --> 00:27:48,558
that that I I have the excuse of being

520
00:27:48,559 --> 00:27:49,779
another person

521
00:27:49,780 --> 00:27:52,909
[Music]

522
00:27:52,919 --> 00:27:56,558
when it's not me.

523
00:27:56,559 --> 00:27:58,959
I'm not saying that.

524
00:27:58,960 --> 00:28:11,419
Soldier boy is saying that I would never [Applause]